Muddy Waters Essays - Mississippi Blues Trail, Muddy Waters, Blues

Muddy Waters Essays - Mississippi Blues Trail, Muddy Waters, Blues Muddy Waters Muddy Waters Blues as an art form gave Blacks a medium to manifest their feelings. Feelings ranging from humorous to silly to depressed. Fortunately for a entire genre of music, the only way for Mckinley Morganfield to express himself was through song. Morganfield better known as Muddy Waters became a legendary blues vocalist /guitarist. When the Blues industry saw commercial success many of its artists also saw rising fame. Muddy Waters enjoyed success in the industry up until and even after his death in 1983. Morganfield was born April 4, 1915 to Ollie Morganfield and Bertha Jones. He was born in Rollingfork, Mississippi. Near their two room shack in Rollingfork there was a creek, Deer Creek. As a youngster he used to play in the creek and get all dirty and muddy. It was at this point when his sisters gave him the nickname Muddy Waters. Bertha died when he was about three. After her death he had to move in with his grandmother in Clarksdale. Raised in Clarksdale, he also went to school there. He went to school until he was old enough to work in the fields. Much like all of the other field laborers Muddy Waters hollered in the fields to pass time or just to get things off of your chest. Waters would also teach himself to play instruments. When he was fifteen he knew how to play the harmonica and he would later teach himself the guitar. The young Waters followed in his fathers musician footsteps. He was part of a band at fifteen, with Scott Bowhandle on guitar and Sonny Simms playing the violin. They would play some Saturday nights in downtown Clarksdale and others he would sell fried fish on nights. And other nights he would watch the greats like Son House, Robert Johnson and Charlie Patton were great musical influences on Waters. The main influence on Waters was Son House, although Waters style of play was more similar to that of Robert Johnson. Muddy Waters was first recognized by word of mouth. Alan Lomax of The Library of Congress went to Clarksdale to record Robert Johnson. But to his dismay, he found out that Robert Johnson was dead and had been for two years. The word on the street at that time led Lomax to Muddy Waters. Waters would record two songs with them in 1941, far before he became famous. His name would not reach household status until 1947 when he recorded his first hit single, I cant be satisfied. Muddy Waters style of blues was considered rough and uncompromising. It was different from all of the other too polished for the South musicians. Waters didnt have a sing-song voice, but a deep raspy voice. Success was steadily increasing especially since the addition of band members. The band complimented his sound. Jimmy Rogers was on the guitar, and harmonica specialist Little Walter. The band provided superb sounds while the grand ole man played his guitar and sang. Although I listened to more than two selections there were two that stood out in my mind; The Hoochie Coochie Man and Corine Corina. Waters proclaims his arrival and his presence as the hoochie coochie man. He wants to let the world know that he is here. Over a consistent baseline, he begins each verse with a whisper and concluding each verse with a shout almost. Adding to the effect that says his coming and know he is here. The next song Corine Corina is fast paced and upbeat. In an almost pleading voice he asks Corina why she does not love him. He leaves Corina by the end of the song. This record has a blend of saxophones, a base and a bridge with a harmonica. Neither of these songs carry the typical thoughts of what a Blues song should like. The most astonishing aspect of the blues is that, through replete with a sense of defeat and downheartedness, they are not intrinsically pessimistic; their burden of woe and melancholy is dialectically redeemed through sheer force of sensuality into an almost exultant affirmation of life, of love, of sex, of movement, of hope. No matter how repressive was the American environment, the Negro never lost faith in of doubted his deeply endemic capacity to live. All blues are a lusty, lyrical realism charged with taut sensibility. Ill never understand why most people define the blues as an expression of sadness only. -Richard Wright, definition of blues Muddy Waters is a legend. Not